Arthur Phillip (see previous post) was born within earshot of the bells of Mary-le-Bow church which makes him a Cockney. He was baptised in All Hallows, Bread Street, which was a Wren designed church rebuilt after the Great Fire of London and demolished in 1878. A monument to Phillip was erected in St Mildred’s, Bread Street in 1932, but this church too was destroyed in WWII bombing. Phillip’s bust was rescued from the ruins and placed in nearby Mary-le-Bow. More details about how Phillip rose from his lowly beginnings to become an admiral in the British Navy can be found in Michael Pembroke’s interesting biography.
Just finished reading a biography of Arthur Phillip, the founder of British settlement in Australia. Arthur Phillip: Sailor, Mercenary, Governor, Spy by Michael Pembroke, is an interesting account of the life of the first governor of the colony of NSW. It details the many experiences he had in the British and Portuguese navies which led to him being the ideal person to lead the First Fleet.
The Museum of Sydney is now on the site of Sydney’s first government house. Located on the corner of Phillip and Bridge streets, you can see this memorial plaque on the side of the modern building.
The poet and revolutionary, Ugo Foscolo, (see previous blog) has an impressive monument in Santa Croce. In the same church are the tombs of many other great Italians such as Michelangelo, Galileo, Machiavelli, and Rossini.
The Italian poet, Ugo Foscolo, lived in London for the last eleven years of his life. He died in Turnham Green, a suburb adjoining Chiswick, and was buried in the graveyard of St Nicholas, Chiswick – the same resting place as for William Hogarth (see previous blog).
In 1871, at the behest of the King of Italy, Foscolo’s remains were moved to Santa Croce in Florence.
It’s a short walk from Hogarth House to the church of St Nicholas where William Hogarth is buried in an impressive tomb.
Another later occupant of Hogarth House, was Henry Cary, a clergyman, scholar and author who published a translation of Dante’s “The Divine Comedy” in 1814. His translation in blank verse is still in print.